Sam Leitch Blogs
Why a Fine Art Print Makes a Statement Piece: C...
A practical guide to choosing screenprints for home interiors, exploring how hand-pulled ink layers create texture, depth and visual impact. Using Sam Leitch’s Nothing for Granted collection as an example,...
Why a Fine Art Print Makes a Statement Piece: C...
A practical guide to choosing screenprints for home interiors, exploring how hand-pulled ink layers create texture, depth and visual impact. Using Sam Leitch’s Nothing for Granted collection as an example,...
Sold Out: What the Gold Colour Way of Nothing f...
This article explores why the gold colour way of Sam Leitch’s Nothing for Granted sold out, examining the technical complexity and distinctive visual depth of metallic gold ink in screenprinting....
Sold Out: What the Gold Colour Way of Nothing f...
This article explores why the gold colour way of Sam Leitch’s Nothing for Granted sold out, examining the technical complexity and distinctive visual depth of metallic gold ink in screenprinting....
What Makes a Screenprint Collectible? A Buyer's...
A collector-focused guide explaining what makes a limited edition screenprint genuinely collectible. It examines scarcity, hand-pulled production, archival materials, signed and numbered editions, and consistency across an artist’s body of...
What Makes a Screenprint Collectible? A Buyer's...
A collector-focused guide explaining what makes a limited edition screenprint genuinely collectible. It examines scarcity, hand-pulled production, archival materials, signed and numbered editions, and consistency across an artist’s body of...
Choosing a Colour Way: How to Pick Your Nothing...
A colour way is a distinct colour version of the same underlying design — the imagery, composition, and layering stay identical, but the palette changes from one version to the...
Choosing a Colour Way: How to Pick Your Nothing...
A colour way is a distinct colour version of the same underlying design — the imagery, composition, and layering stay identical, but the palette changes from one version to the...
Inside a 29-Colour Screenprint: The Craft Behin...
A 29-colour screenprint is not made in a day, and it isn't made by a machine. Every one of those 29 colours in Nothing for Granted is a separate hand-pulled...
Inside a 29-Colour Screenprint: The Craft Behin...
A 29-colour screenprint is not made in a day, and it isn't made by a machine. Every one of those 29 colours in Nothing for Granted is a separate hand-pulled...
The Story Behind Nothing for Granted — Shop Sam...
Every collection starts somewhere. For Nothing for Granted, it started on a trip through the South Island, where I first learned the revival story of the tīeke — the saddleback...
The Story Behind Nothing for Granted — Shop Sam...
Every collection starts somewhere. For Nothing for Granted, it started on a trip through the South Island, where I first learned the revival story of the tīeke — the saddleback...