Sam Leitch Blogs
Fabriano Artistico Paper Guide: Archival Qualit...
100% cotton rag paper is a premium archival material used for fine art screenprints and giclée prints because of its durability, stability, and resistance to yellowing. Papers such as Fabriano...
Fabriano Artistico Paper Guide: Archival Qualit...
100% cotton rag paper is a premium archival material used for fine art screenprints and giclée prints because of its durability, stability, and resistance to yellowing. Papers such as Fabriano...
Art Glass vs Standard Glass: Why It Changes Eve...
This guide explains the difference between standard glass and art glass when framing fine art prints. It covers how museum-quality art glass reduces UV exposure and glare, why UV protection...
Art Glass vs Standard Glass: Why It Changes Eve...
This guide explains the difference between standard glass and art glass when framing fine art prints. It covers how museum-quality art glass reduces UV exposure and glare, why UV protection...
Giclée Prints for First-Time Collectors: Start ...
If you've been drawn to narrative-driven surrealist art but aren't ready to commit to a hand-pulled screenprint, a giclée print is the natural place to start. Pieces like Nachos, GO,...
Giclée Prints for First-Time Collectors: Start ...
If you've been drawn to narrative-driven surrealist art but aren't ready to commit to a hand-pulled screenprint, a giclée print is the natural place to start. Pieces like Nachos, GO,...
Why a Fine Art Print Makes a Statement Piece: C...
A practical guide to choosing screenprints for home interiors, exploring how hand-pulled ink layers create texture, depth and visual impact. Using Sam Leitch’s Nothing for Granted collection as an example,...
Why a Fine Art Print Makes a Statement Piece: C...
A practical guide to choosing screenprints for home interiors, exploring how hand-pulled ink layers create texture, depth and visual impact. Using Sam Leitch’s Nothing for Granted collection as an example,...
Sold Out: What the Gold Colour Way of Nothing f...
This article explores why the gold colour way of Sam Leitch’s Nothing for Granted sold out, examining the technical complexity and distinctive visual depth of metallic gold ink in screenprinting....
Sold Out: What the Gold Colour Way of Nothing f...
This article explores why the gold colour way of Sam Leitch’s Nothing for Granted sold out, examining the technical complexity and distinctive visual depth of metallic gold ink in screenprinting....
What Makes a Screenprint Collectible? A Buyer's...
A collector-focused guide explaining what makes a limited edition screenprint genuinely collectible. It examines scarcity, hand-pulled production, archival materials, signed and numbered editions, and consistency across an artist’s body of...
What Makes a Screenprint Collectible? A Buyer's...
A collector-focused guide explaining what makes a limited edition screenprint genuinely collectible. It examines scarcity, hand-pulled production, archival materials, signed and numbered editions, and consistency across an artist’s body of...